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Why Tolerance?

In Guest Blogger, LGBTQPA on September 2, 2012 at 12:01 am

I was very touched and impacted when I first read this post by my latest Guest Blogger, the very eloquent and perceptive Paulette Mahurin. Having published my own book for teens, Mungai and the Goa Constrictor, my greatest hope has been to convey a message of forbearance and acceptance, which is why I chose such a diversity of species across the globe, knowing we are all part of mixed and integrated societies. Paulette speaks of the universal intolerance, persecution and oppression which motivated her to write her book, and the beliefs and preferences of many who feel that if the persuasions and choices of others contradict their own ideas of what is right and acceptable, there is a reason to hate.

I’m delighted to have an opportunity to write an article for Amelia E. Curzon’s Blog. Being that I am a NurseGuest Blogger Paulette Mahurin on Amelia Curzon's Blog - Carte Blanche Practitioner, specializing in women’s health, and have just completed a novel, The Persecution of Mildred Dunlap, about a strong female protagonist, a lesbian who is persecuted and bullied all her life. The motivation for writing the story is what I want to talk about here, oppression of lesbians in history, and feminine energy suppression in general.

World renowned author, Riane Isler’s international bestseller, The Chalice and The Blade: Our History, Our Future (Harper Collins San Francisco, 1987), has been hailed as one of the most significant works since Darwin’s Origin of Species. In it she elaborates on androcracy, government by male rulers, and the influence this has on gender bias. So rare is women rule, gynecocracy, that it survives mainly in myth.

Isler’s work was not from research in a didactic vacuum; she lived and understood oppression from an early age, when as a child her family fled Nazi Austria to Cuba (she later moved to the United States). It is this aspect that I find most intriguing about her, how did this influence her life and work? How does any experience, especially in our formative years, condition us? The latter question rhetorical, brings me back to my own research while writing my book.

In doing the research, the masculine dominant energy was pervasive, between the lines one reads of a women’s place, the labeling of our friendships toward what was tolerable, what was conservatively acceptable, and what was meant for oppression.

Through the years this changes, the balance shifts, while the feminine is gaining more of a stronghold, but what remains are the labels, which are still dangerous depending on where one lives in the world.

Women friendships in history have always been acceptable, hugging, handholding, and displays of attention, not frowned upon. In the 1800s women who could afford to live together but never married were considered spinsters, still socially acceptable. Where the tide turns is if a partnership were suspected of being, or labeled lesbian, then they were considered to be insane. The treatment was institutionalization, the therapy, rape.

When I started writing my book, based on the imprisonment of Oscar Wilde and the impact his two year prison sentence had on a lesbian couple, living in a small Nevada ranching town, I had to figure out how to show the oppression, the fear, that the lesbian couple lived under. This was really difficult because how do I write about what I haven’t experienced? Or have I? I sat with this, meditated on this, went back to the books on oppression of self-expression, and found my answer, society.

A society that supports a relationship (including the family unit), in a loving way, molds one type of personality. A brutal abusive society, group, takes its toll. This I can relate to and have experienced, my world view—a box that surrounds my soul with the should and shouldn’t do this or that, be this or that—gave me the backstory to create the story’s antagonist, a woman filled with unmitigated hatred toward anything that doesn’t support her ego.

Just this last week, I received a review of my book, from a women, pleasant and decent to communicate with, who gave my book a thumbs up and a thumbs down and went on to explain that the thumbs up:  the best characterization I’ve seen in a book, and I’m big on characterization. Great details and emotional aspects in capturing the feelings and turbulence of that time period with all the different topics mentioned. It was so sad to see how horrible the gossip girls were about the Jewish man in France. And the African-American in the government. Josie is quiet a character. (sic)

She then went on to say: My Rating: I give this a thumbs down because I don’t like and don’t support the Lesbian standards, and prefer to just not have anything to do with those people: whether its books, movies, riots etc. But I give it a thumbs up for being so well written by a woman who is married to a man. For a Straight woman, this was well written. (sic)

I wrote her back thanking her for her honest review and that I was extremely appreciative of us dialoguing, for it is in communicating that issues, large and small, can start to be resolved. After I wrote to her, I sat silently and wondered what causes one to feel/think this way, foreign from my live-and-let-live-as-long-as-you-aren’t-hurting-anyone attitude? I have no answer, not really, and so once again I sat back quietly and contemplated, this time, tolerance, and pray that those whose hearts hold hatred learn what it is.

Bio: Paulette Mahurin is a Nurse Practitioner (NP), specializing in Women’s Health. She has also taught clinic preceptors in the NP programs for UCLA and USC. While at college she won awards for two non-fiction stories she wrote. When not writing or helping rescue dogs, she likes to hang with her husband, Terry (a retired NASA Attorney) and their two dogs, Max & Bella ( rescued from kill shelters).

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The Role of Strong LGBTQPA Characters in Urban Fantasy

In Guest Blogger, LGBTQPA on July 15, 2012 at 12:01 am

I am pleased to welcome this week’s Guest Blogger, Hannah Clark, aka author A.G.Bellamy. Hannah offers up a very different sort of piece discussing the lack of exploration of gender identities in teen fictional characters.

I was sixteen when I realised that, for half of the film, Mulan had managed to convince General Li Shang that he was gay. “Mulan” is one of my favourite Disney films, one of a collection now known as “old Disney.” The title character must dress in drag in order to fight in the army, and by the end of the film comes to win the respect of the entire army based on her ability to combine both femininity and masculinity in order to defeat the Huns.

The role of LGBT characters has been an important factor for me in most of my reading and writing endeavours. Hannah Clark - Guest Blogger on Amelia Curzon's Blog - "Carte Blanche"I always wondered why most teen romances were about “boy meets girl” rather than “boy meets boy” or “girl meets girl.” It then occurred that in most storylines, the gay characters are just there to be the sassy gay guy-friend or the tough lesbian gal-pal. In Michael Grant’s Gone series, the character Dekka outs herself as a lesbian and is shown to develop around this part of her identity, although it is not often mentioned. Dekka is a strong character who keeps to herself, much like most of the non-lesbians I know in real life. Then again, I hang around with fairly nerdy/sporty crowd. Being panromantic myself, I break my back trying to find stories which include strong LGBTQPA characters like Dekka which aren’t classed as ‘gaylit’ or ‘homoromance.’ I find it shameful that the Western world concentrates so much on the idea of “the hero/heroine must find love with the opposite sex to be happy!” when it comes to literature. This ignores the many other gender identities in the many different cultures that inhabit this planet, and as such I believe that it is an author’s duty to explore as many identities as possible. There is a name for this duty: character development.

Runes Shalt Thou Dream” is told from the perspective of an LGBTQPA youth named Matthew. His love interest, Ryan, has had no previous experience in relationships with either gender and does not have any interest in pursuing a relationship. In the few books I have read which introduce LGBTQPA characters (only five or so, I’m counting the Gone series as one), the LGBTQPA characters have had the most interesting personalities but are left unexplored and often ignored. In fact, the only LGBTQPA character who has been explored is Dekka. In “Runes Shalt Thou Dream” Matthew is explored in a psychological sense – his dreams slowly become reality and he struggles to find the line between them. The fact that he is gay is rarely if ever mentioned. Being a child born into the Norse faith, Ásatrú, Matthew has no religious obligation to feel ashamed about his homosexuality – the Vikings, in fact, celebrated homosexual sex as it was a display of dominance over the weaker men. Ásatrú has no literature condemning particular identities to an eternal doom, so all Matthew has to worry about is his father’s personal reaction to the news.

The continuing debate on marriage equality would be greatly helped by the inclusion and exploration of LGBTQPA characters in modern teen fiction; exploration is the best friend of the author, and if the author can help such a worthy cause it would be a great boon to Western philosophy.

Runes Shalt Thou Dream is now available on Amazon

Runes Shalt Thou Dream - an eBook by A.G.Bellamy

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